It's very easy in the studio to get overzealous with your vocal takes, thinking, 'Oh yeah, I can do it over and over. I can sing at the top of my range for this whole song.' But when you're doing it every night on the road, it's pretty intense.
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I always like surprising people and doing things at a young age and, I don't know, trying to do them at a higher caliber than what you'd normally think. I'm not saying I'm a virtuoso, but I always challenge myself.
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I don't like washing away your body's natural oils and pheromones. Those are good. You have to keep those.
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I really like Colin Blunstone, the lead singer of the Zombies.
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The Internet is a crazy archive of a lot of old everything. Paintings, drawings, old, new, and everything in between.
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My first CD started as a studio project and I record everything with one other guy, so I didn't have a band. That's kind of how I like to do it, though. I like to create it with one other person, this guy, Tommy English, who produces everything. And then I go out on the road with a band who interprets it live.
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We're always trying to make advancements in the arts and technology, so it's somewhat inevitable that we're going to make holograms of people.
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I grew up with a big backyard that led to the sand dunes of Lake Michigan.
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I feel like I'm never playing the same sized venues within two or three shows. It keeps me and the band fit in a way. It keeps us on our toes just because you don't get used to one size and one energy. It's good to switch it up.