There is something intrinsically, systemically wrong with white, western culture, and if we don't fix it, it won't continue.
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There is something intrinsically, systemically wrong with white, western culture, and if we don't fix it, it won't continue.
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I play an 89-year-old man whose wife has Alzheimer's in a movie called 'Still.' I play a World War II veteran, I acted with my son and it's called 'Memorial Day.'
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I always change my words in everything I do. I make the language fit, because I know the character from the inside out. Often character actors are not in a position to do that, but I do it. I don't change any cue and I never change anybody else's lines, but I make my own words fit my mouth.
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I was going to design sports cars, but my father came to my college to visit me. At the time he was making a picture in Sweden and he took me there with him. I got to see Ingmar Bergman's company and I thought, 'Gee, filmmaking is a lot more fun than sports cars,' so I decided to follow him and go into acting.
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The kids know me from 'Babe,' but usually it is 'L.A. Confidential' that people remember, which was the second film I did. I have worked with some really good people and the films that I've done for the most part have been good.
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The health of the planet is at stake, because the cruelty and the waste that accompanies the slaughter of billions of animals each year literally infects us all. We could consume healthy plant-based food produced at almost infinitely less cost. What does that say, really, about us and what we're doing... to animals and to ourselves?
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I was told by my agent that a number of big stars won't work with anyone two inches taller than them and most of them are under six feet, so you have to be prepared to have trouble.
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I don't study films particularly. I plan to direct, but I'm not watching film - I watch the entire film to see how the story goes, but I don't say, 'Oh, so he does a slow pan here, or he pulls here, watch the crane shot, or look at the composition,' because it's got to be my eye.