We were in a great, seething moment in the 1970s. There was a new Labour government and everything seemed full of hope... But, as we got older and we saw how much women's behaviour contributed to what was wrong, we stopped being able to see ourselves purely as.
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Writers seem to me to be people who need to retire from social life and do a lot of thinking about what's happened - almost to calm themselves.
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I'm very disturbed by violence against women when it is violence.
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People demand a lot of the justice system and they demand things that it can't deliver.
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I don't believe that anything's totally invented... If you're completely inventing a story, there wouldn't be an urge to tell it.
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The rain began again. It fell heavily, easily, with no meaning or intention but the fulfilment of its own nature, which was to fall and fall.
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There's only one thing I know what to do, so I'm pretty much otherwise unemployable. The idea that you can make a living from exercising your only skill is wonderful. And it's wonderful to be read. It's a really exciting and happy thing to be read.
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While I was writing 'The Spare Room,' I thought, 'I'm going to look really bad in this book - there's no redeeming this kind of awful, ugly emotion', and I thought, 'I'm not going to change it. I'll call the character 'Helen' and admit to those feelings.' I think this is a reason why people write.
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I think that there must be a point of self-immersion in a story that is a point of no return. You get far enough in that the story has really touched you to the core and deeply troubled you and made you unhappy and fearful, and then how do you get out of that? I'm a writer, so my way of getting out of that is to write.