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I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

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The truth is, I hadn't grown up really wanting to be a writer. The whole thing was a weird aberration in some ways, and I didn't feel personally connected to the level of success I had with it - the success of sorts, I guess.

When I see 'Sunshine,' I see a film that part of me is kind of very proud of and another part of me is very sad about, so it's a really complicated film for me. And I've never been really able to resolve all that in myself.

'The Beach' novel, in my mind, was, in some respects, subversive.

I know some directors get very involved in trailers and posters. Some even cut their own. I stay completely away from it. I just see my job as making a film.

The first draft of 'Ex Machina' is extremely different than the finished film. That would be like 10% of the original draft stayed into the shooting script.

If someone says Wes Anderson is an auteur, I'll believe it 100 percent. Fine. He's an auteur, but I'm not.

Really original material is quite hard to find.

A lot of people, I think, harbor some kind of ambition to write a novel - they say, 'One day I'm going to write a novel,' and they maybe find the first three pages quite easy, and then they hit a kind of brick wall, and they think that that brick wall means that they're not a writer.

I think that screenwriting probably isn't seen as writing in the same way that novel-writing is seen as writing. But I certainly don't see it that way.

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I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.

I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.