I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
The truth is, I hadn't grown up really wanting to be a writer. The whole thing was a weird aberration in some ways, and I didn't feel personally connected to the level of success I had with it - the success of sorts, I guess.
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When I see 'Sunshine,' I see a film that part of me is kind of very proud of and another part of me is very sad about, so it's a really complicated film for me. And I've never been really able to resolve all that in myself.
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'The Beach' novel, in my mind, was, in some respects, subversive.
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I know some directors get very involved in trailers and posters. Some even cut their own. I stay completely away from it. I just see my job as making a film.
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The first draft of 'Ex Machina' is extremely different than the finished film. That would be like 10% of the original draft stayed into the shooting script.
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If someone says Wes Anderson is an auteur, I'll believe it 100 percent. Fine. He's an auteur, but I'm not.
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Really original material is quite hard to find.
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A lot of people, I think, harbor some kind of ambition to write a novel - they say, 'One day I'm going to write a novel,' and they maybe find the first three pages quite easy, and then they hit a kind of brick wall, and they think that that brick wall means that they're not a writer.
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I think that screenwriting probably isn't seen as writing in the same way that novel-writing is seen as writing. But I certainly don't see it that way.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.
I don't write on set. I also - in a funny way, I don't really differentiate between the writing and directing. I think it's all sort of the same thing.