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I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

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At the risk of saying you should make a self-indulgent film for your first movie: you should make a self-indulgent film for your first movie.

When you're improvising, it's fun to find something that you can lean on that is similar to your life experience. In my opinion, that's very helpful.

At the risk of saying you should make a self-indulgent film for your first movie: you should make a self-indulgent film for your first movie.

When you're improvising, it's fun to find something that you can lean on that is similar to your life experience. In my opinion, that's very helpful.

When you make a black-and-white movie with two people in it in 2016, you're taking a swing at something.

I question every move. I'm constantly second-guessing myself.

I'm interested to see what happens to Spike Lee with limited resources, you know? I love Spike Lee's movies. But you know what? I kinda liked his movies when he used to scramble and fight more for them.

I think 'Cyrus' has a lot of fat in it. It was a $7 million movie. If you're going to make a movie with famous people, you don't necessarily need to spend 7 million dollars. Make it for less than that, and you'll be able to sell it and make a ton more than that, and everybody shares the profits.

You're taught - consciously or sub-consciously - to make an indie so you can get through that terrible process and get to Hollywood. I realized when I got there, 'Oh, no; I think I'm better over here.'

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I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.

I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.