Sometimes, when actors reach out to their characters, they're nowhere in sight. They need to find something inside of them. And then the characters are right there. As a director, I want them to find the character that's already inside them, instead of trying to manufacture or manipulate or make something up. That's not really honest or true.
My dad had been an actor... not only had my dad been an actor, but his dad had been an actor, and my great-grandfather had been an actor. And who knows before then?
I have only a couple of Super 6s now, but I do have quite a few black-face Fenders around the studio. They all have slightly different character and tone, so I keep collecting them.
Every single character and every single person in real life can all be 16 or 17 years old and maybe live in the same town and go to the same school, but every single girl is experiencing and living a different life. I think that, on the outside, it may seem like there's a lot of similarities, but there's also a lot of differences as well.
I do feel that there is a little confusion in people's minds between the real me and sitcom Miranda. I am pleased that people identify with the character, but I think they want me to be her and are disappointed that the real Miranda doesn't actually fall into graves or be that rubbish at life.
I started as a writer; I started writing when I was little. The acting and directing was an outgrowth of my desire to tell stories.
Unfortunately, in Nevada - and more specifically, in Las Vegas and Reno - we've experienced incidents of human trafficking. In Las Vegas, the average trafficking victim is as young as 14. We must act to prevent this disturbing criminal activity from occurring in our communities.
Acting in different languages doesn't stop you from growing; on the contrary, for an artiste, it helps a lot.
While we look to the dramatist to give romance to realism, we ask of the actor to give realism to romance.