I leave for the show at least an hour ahead, and I do some vocal warm-ups, and that's pretty much it.
I'm doing physics because I'm curious about how it works - full speed ahead, damn the torpedoes, don't worry about whether somebody is going to be able to do an experiment next week, just figure it out.
There's no limit to what you can accomplish, but there's always someone one step ahead of you, so it's a constant uphill battle.
I want to score more than 20. It's my job. But it is not an obsession for me ahead of winning titles for the team.
I like to think that my finest hour is still ahead of me, so I can look forward rather than look backward.
My friend Harry Nilsson used to say the definition of an artist was someone who rode way ahead of the herd and was sort of the lookout. Now you don't have to be that, to be an artist. You can be right smack-dab in the middle of the herd. If you are, you'll be the richest.
How many times have you been on the freeway and had someone fly by you at 100 mph then end up two cars ahead of you at the off ramp? What's the point?
A good role is one that moves along with the story, like 'Baazigar' and 'Kareeb' for example. Similarly, I agreed to '36 China Town' and 'Phir Hera Pheri' because my characters in both films have a graph and are significant in moving the story ahead.
I would rather be responsible and accountable and help to reward the public shareholders going ahead.