I like to hear melodies that go from one extreme to the next- saxophone to a bell to a whistle, for instance.
The cubism of Braque or Picasso, the dissonant compositions of Schoenberg or Stravinsky, the free-flowing and often erotic choreography of Isadora Duncan and Nijinsky - these were acts of rebellion against the certainties and traditions of the old world.
I used 'Saved by the Bell: The College Years' as my reference point really for my 'Fresh Meat' experience.
Rock and roll has become entertainment that just says what the consumer wants to hear. There's no more edge or rebellion that sets it apart from the norm.
In 'For Whom the Bell Tolls,' Hemingway cozies up to revolution by romanticizing it (and not only with those execrable love scenes).
My decision to come to Bell Telephone Laboratories immediately after obtaining my Ph.D. in 1936 was strongly influenced by the fact that my supervisor would be C. J. Davisson.
In every single 'Tinker Bell' movie, I feel like there's a message that I'm proud to communicate with kids.