When I'd hear something that sounded like I could follow it - most of those big band jazz tunes are blues anyway - I would hum it and play with the fiddle while I was humming.
What cultural revolutionaries do not seem to grasp is that, far from being a grass-roots art form that has been taken over by businessmen, rock itself comes from the commercial exploitation of the blues.
Linda's in all the songs. 'Sunshine Superman,' 'Hampstead Incident,' 'Young Girl Blues'... Linda's the muse.
The blues is so expressive - nostalgic but not sentimental, mournful but not pathetic, so humble and close to the earth. It's a nuance-filled thing.
What's so powerful about the Psalms are, as well as they're being gospel and songs of praise, they are also the blues.
What did we play in the Harry Dean Stanton Band? It was old blues and country - all covers. I never wrote anything.
I liked the 12-bar blues because everybody could play it, but they could also play it their own way, and they could express their own emotions using that as a structure.