I really wasn't into comic books growing up.

To be honest, I wasn't the best stand-up comic.

I think that Curt Swan, when he did Superman for the longest time, became the definitive Superman artist, and everybody got it. That made him very, very special in the annals of comic books.

Writing a comic book series, you're so reliant on whoever the artist is. It truly is collaboration.

To be honest, I wasn't the best stand-up comic.

I think that Curt Swan, when he did Superman for the longest time, became the definitive Superman artist, and everybody got it. That made him very, very special in the annals of comic books.

Writing a comic book series, you're so reliant on whoever the artist is. It truly is collaboration.

Bob Saget is the dirtiest comic who's ever lived. Nobody touches him.

I like good stories above all else... and kickin' art really goes the final stretch to ensure a comic is good.

I worked in a comic shop for five years, and the amount of titles I could excitedly recommend to teenage girls was pretty abysmal for awhile.

Every comic can report a few 'gift from the gods' moments.

There aren't any concrete steps to becoming a comic.

I'm not someone who's gone to Comic Con as a devotee.

As psychotic as it gets outside, the comic can be more psychotic.

I really don't have a lot in common with the people who attend the Comic Con. It's like assuming that all people who write prose are the same.

Making comic adaptations means making a lot of choices - you need to adjust the pacing, the dialogue, and in this case, a lot of the cultural references.

I brought samples in, because I didn't have any comic book samples, and I brought all these illustrations that I had influenced by Norman Rockwell and a couple of the other big boys. That's all I had, that's all I brought.

I got cast on 'MADtv' as one of eight permanent cast members chosen from 8,000 comics who'd been screened. For any comic trying to make something of themselves, that was like hitting triple 7s-jackpot.

I admit TV is a far cry from the films that I started my career with, like 'Ek Doctor Ki Maut.' It's like reading Chekov and then going on to a comic strip.

Like his countryman, Kiefer Sutherland, Seth Rogen has a voice that's 10 years older than he is - a combination of world-weariness and exuberance, an instrument that he's mastered for specific comic shadings.