I have a contract but it's not a commitment in the ordinary sense. It's our ongoing conversation.

I don't want to be one of those players that gets the contract and the main focus is on him.

I am very happy to have extended my contract with PSG.

Modernity is a deal. The entire contract can be summarised in a single phrase: humans agree to give up meaning in exchange for power.

Unfortunately, there are no mulligans when it comes to pro football contracts.

I have a very good contract at Chelsea, but Dortmund really wanted me.

On 'The Apprentice,' I'm 100 per cent certain I'm paid the same as Claude Littner. I insisted on equality when I negotiated my contract. I would not have allowed anything else.

For the clubs that I've played for I always tried to fulfill my contract.

I've never believed in tying myself up in a long-range contract, and I've been very outspoken on that subject.

I don't pitch for contracts.

In 1938, I was given a one-year teaching appointment, which was sensational for British universities. This was converted into the usual four-year contract for an Assistant Lecturer in 1939.

I've got a contract that keeps me around a few more years.

It's become the norm that a player who has another year on his contract period has a decision between separation or extension.

I don't measure myself in my contract in terms of what I'm making.

I didn't have a big-time contract out of college like most athletes. In fact I had no contract at all.

Making it financially does not protect you, though. Genetic gifts and a gigantic professional contract do not shield athletes from the effect of damaged childhoods.

Publishing is a business. It's about squeezing every last dollar out of every available source, and the most vulnerable source is the author. No clearer proof of that exists than the 'standard' book contract.

Yeah, early '71 is when I got my record contract. I had a record come out by August of '71. Things happened really fast.

I play the same, contract or no contract, because trade-talk is part of basketball.

When I first heard Ray Charles, he was a flop artist on a small label in California. He hadn't sold any records. And I bought his contract for $2,500.