I enthuse about Scrivener to all of my friends. Some of them even listen to me and download it. This is often swiftly followed by an email complaining that it's all very confusing, and they'll stick to Microsoft Word, thanks.

When I created the email in the U.S., my mentor could have easily copyrighted it and taken credit for it.

We barely had cell phones on '90210.' It started in the '90s. That's pretty much when fax machines came into play. When I first got the script for '90210' I had to come into New York to get it. It was not emailed to me; there was no email.

When writers stop to sharpen pencils or get up and make coffee to procrastinate, they still stay in their heads with their characters. But when you zip over to read email or check your Facebook page, you get zapped out of the fictive dream. It's brutal on my writing.

I don't have email.

I'd rather send out a mass email then hang posters all over the place.

I think anybody who uses email in the center of our life needs encryption.

I find very few folks are watching their Facebook feed, some are watching their Twitter feed, and all of them are watching their email box. So, while social networks are nice, email is still the killer application.

You want to be somewhat cautious inasmuch as you can't use the state email for political or campaign business.

Once I got married, I started working from an office. I found that having somewhere to go that isn't my house is mentally helpful: 'This is the place where I answer email and write blog posts,' and 'over there is the place where I do the dishes.'

I'm into short emails.

The best ways of marketing were email and banner advertising, but I needed images... and they were very expensive.

The tone of good web writing grows out of email. It's more direct, personal, colloquial, urgent, witty, efficient. It doesn't waste your time. It reflects that engagement, responsiveness, and haste of web surfers, as opposed to the more general passivity of print readers.

Clearly texting, SMS and chat are very different than writing a letter or email.

Hillary Clinton was asked if she wiped the disc she was using for her email; she said, 'Do you mean with a damp cloth?' This, to me, is frightening.

I get a lot of email, so if you're sending me an email, if you want to rise above the clutter, put something on it: say, 'Hey!'

I'm close with my whole family, but it requires email and texting because they don't all live nearby!

I knew Tim Pastoor. I knew Sherry Ford. I knew many of the individuals who would follow me around. I knew who they were. I knew they had access to my email.

With original cryptography, you are just trying to secure one narrow thing - say, communications - and you are trying to secure it from a third party. But you can't secure it from the party you are talking to if they forward your email; it doesn't matter how well your email is encrypted.

When I write an email where I outlined a whole scene, it just came out of my unconscious, it comes from a deeper place. The same thing happens when the actors go, take after take, and just get lost in it. When you're in a house, you don't think about being in the house; you're just there.