Sure, it does help you get into a room, but at the end of the day, you have to be able to deliver, and you have to be talented, because they're not going to hire me because my dad is David Cassidy, who was famous in the '70s.
We were under scrutiny when Stephen became rich and famous. The media were in the house, and camera leads were absolutely everywhere - it was just nightmarish.
Evictions used to be rare in this country. They used to draw crowds. There are scenes in literature where you can come upon an eviction - like, in 'Invisible Man' there's the famous eviction scene in Harlem, and people are gathered around, and they move the family back in.
I worked among many famous philosophers, and I tried to observe how they treated students. I knew which ones I wanted to be like, and which ones I didn't.
Evictions used to be rare in this country. They used to draw crowds. There are scenes in literature where you can come upon an eviction - like, in 'Invisible Man' there's the famous eviction scene in Harlem, and people are gathered around, and they move the family back in.
I worked among many famous philosophers, and I tried to observe how they treated students. I knew which ones I wanted to be like, and which ones I didn't.
I was in a number of school plays, one in particular, when I was 13 or 14, entitled 'Illusions.' It was put together by one of the teachers, and was about famous historical figures. I had to do the Martin Luther King 'I have a dream' speech, and some black women in the audience were clapping and crying and whooping.
My office walls are covered with autographs of famous writers - it's what my children call my 'dead author wall.' I have signatures from Mark Twain, Earnest Hemingway, Jack London, Harriett Beecher Stowe, Pearl Buck, Charles Dickens, Rudyard Kipling, Alfred, Lord Tennyson, to name a few.
Sometimes I think that when people become famous, there's a public perception that they are not human beings any more. They don't have feelings; they don't get hurt; you can act and say as you like about them.
On the other hand, when I give it closer thought, I realize I'm not enough of a dictator to conduct an orchestra because it requires a pretty awful person. When you read these biographies of famous conductors, they are all awful people who fail in their private relationships.
I'm more of a homebody type. I don't want to look like I want to be in the public eye. I didn't become an actress to be famous.
I fear that, in the end, the famous debate among materialists, idealists, and dualists amounts to a merely verbal dispute that is more a matter for the linguist than for the speculative philosopher.