Major social movements eventually fade into the landscape not because they have diminished but because they have become a permanent part of our perceptions and experience.

There were points when I've thought about getting into landscape gardening or getting back to illustrating, but mostly with a bit of a chip on my shoulder.

All Elite Wrestling completely changes the entire landscape of pro wrestling.

Landscape is my mistress - 'tis to her I look for fame.

The landscapes were in my arms as I did it.

The North Korean landscape is strikingly beautiful in places. It could be said to resemble America's Pacific Northwest - but substantially drained of color.

Jeans of any sort should not be worn in nice restaurants. They pollute the landscape. They should also not be worn in the workplace if no other workers wear them. However, if your office is casual, go for it.

Landscape affects you.

Apart from its dangers, much of Iraq isn't very interesting to look at. The landscape is flat and dun colored. The dirt just beyond the highway is littered with hunks of twisted and mangled metal, some of it the detritus of wars, some of it just unclaimed junk. The countryside looks muddy and broken.

There's no musical landscape to poetry. It has somewhat of a higher standard than songs, I think.

I have to try and change the landscape, whatever it is.

In a media landscape that has grown in unimaginable ways, there are more projects that have come along now than ever. While the number of projects has grown, many players are vying for that audience.

I think my concern is I know my voice, and I know the kinds of landscapes that interest me, so my primary concern is doing the most I can with those voices and those landscapes.

Perhaps I seek certain utopian things, space for human honour and respect, landscapes not yet offended, planets that do not exist yet, dreamed landscapes.

'Lost' seems to be the inverse of 'Air': It explores dispossession and identity by forcing a bunch of people into one invented landscape instead of using many invented landscapes to keep people apart.

While writing 'Cold Mountain,' I held maps of two geographies, two worlds, in my mind as I wrote. One was an early map of North Carolina. Overlaying it, though, was an imagined map of the landscape Jack travels in the southern Appalachian folktales. He's much the same Jack who climbs the beanstalk, vulnerable and clever and opportunistic.

I used to paint landscapes without any people in them but now I paint people who happen to be in a particular place. They might be outside a pub, or on a beach or in a studio. They might have clothes on or they might not.

On the landscape crew, I learned a lot from the other workers. We treated everybody equally, and we worked hard.

Looking out at the photographic landscape that surrounds us - the world of images and image-making that we inhabit - it seems obvious that photography has undergone dramatic changes in its technical, cultural, and critical composition.

The term clinical depression finds its way into too many conversations these days. One has a sense that a catastrophe has occurred in the psychic landscape.