My mom FedExes a red velvet cake she makes from scratch to me every birthday.

The fifties - they seem to have taken place on a sunny afternoon that asked nothing of you except a drifting belief in the moment and its power to satisfy.

In animation, action is changing so quickly that there's really not a lot of suspended moments.

The real estate agent had to go door-to-door in the apartment building we wanted to rent, asking if it was OK for this interracial family - my mom is white and I was a 1-year-old half-African kid - to live in the apartment building.

A hardware startup with a lot of funding and a lot of momentum has a lot less risk.

My son's birth was pretty life-shattering, in good ways and bad ways. I realized that I needed a doula because I'm not close to my mom, and I don't have a lot of people in New York.

I went to anything that was on at the Lyceum in Edinburgh. I was quite geeky. There was a production of 'Look Back in Anger' with David Tennant and Kelly Reilly in it, and it blew me away. I still think about it and look back on it as the moment where I decided, 'I want to do that.'

I have learnt that gardens are like happiness: you cannot pursue them as an absolute thing or moment.

I believe in God. I got down on my knees and I said, 'I get it. If this isn't for me, then it isn't for me.' And then a week later, I started working. I worked on 'The Following,' I worked on 'Elementary,' I worked on a pilot and then I got 'Orange.' So literally from that moment of deep surrender, that's when you're blessed.

My mom was a model, so she's been really good about giving me tips on how to navigate behind the scenes - like the importance of being nice to everyone on set and remembering people's names, to how to be a positive part of the photo shoot and stuff like that.

When breast cancer took my mom, it met its biggest enemy.

I try not to miss anything because of work. And I didn't want to have to say that, because that doesn't sound realistic. But it is. Family has to come first. It has to. Especially for a mom. Because if your family's happy, you can do your job.

If you're waiting for the perfect moment, you'll never write a thing because it will never arrive. I have no routine. I have no foolproof anything. There's nothing foolproof.

I have been doing merch' since I was 15 and in bands when I was a teenager - silk-screening shirts, making the emulsion in my mom's closet I converted into a dark room, through college. That's essentially how us bands survived was selling homemade t-shirts.

I was always into sports and a lot of physical activities. My dad was a kickboxer and a body builder. My mom was an aerobics teacher.

When my dad was badly weakened by the flu and my mom wanted to call an ambulance to take him to the emergency room, he wouldn't go unless he could shave first and change into a nice shirt and a pair of slacks.

What's so touching is the way we fight the war right until the moment our business is taken care of and then we turn on a dime and we immediately start taking care of people. It's like a shock and aw shucks campaign.

Well, we are not doing that film actually. At least I am not at the moment, but we are making an effort to get it done; I don't know whether we'll get the financing for it. The old story we had it, it fell out of place and this and that.

My first real acting gig was probably playing Mamillius in my mother's 'Winter's Tale.' My mom and dad are both in theater, so I grew up acting and being a little theater brat as well.

Every candidate goes into every debate hoping that they can own a particular moment.