Any time you make a change, and a major change, as you try to establish something, there's a lot of question marks there on what's going to happen moving forward.
I'm a stickler for structure. So I tend to make sure I'm hitting certain points in the script and that I'm progressing and moving things along. You know, are the characters keeping the plot moving along? And are they true, and do I know their motivations?
People so far have been very fond of the Robert Altman movie, as I am, and when one things goes well it shines light on your other projects and now I seem to have a number of projects that are moving forward.
I'd probably play games obsessively if I didn't write, although I admit I don't read novels partly because I don't enjoy it, not just because it's the wrong side of the creator-consumer barrier for me. I'm a visual writer. I think in moving 3D images and write down what I observe.
It is by going down into the abyss that we recover the treasures of life. Where you stumble, there lies your treasure.
Bullfighting is every bit as ghoulish and savage as its critics warn, but it is equally as powerful and moving as its supporters insist. Perhaps the most vexing aspect about it is that neither group is wrong: they are both telling the truth.