If 'The Blacklist' taught me anything, it was kind of open-ended intrigue and leaving questions unanswered. Creating this kind of mystery by virtue of depriving the audience of these easy answers was what I was kind of into.
You know, there's that temptation in interviews to make yourself sound - well, to give yourself a bit of mystery.
The great mystery is why robots come off so well in science-fiction films when the human characters are often so astoundingly wooden.
They become the keepers of the mystery. They place themselves between the communicants of the religion, and the immediate experience. And then they dictate the terms on which you can have contact with this wonderful mystery. We don't dictate those terms.
I didn't particularly change my name to Fonda because I knew who Fondas were. It's still going to remain a mystery. I keep it as a mystery. So, maybe one day I'll tell the story of how I changed my last name.
I certainly wanted to maintain some sense of mystery about Picard and that's why we never allowed certain situations to fully evolve, like the relationship between Picard and Beverly Crusher.
Yes, I was one of the slightly vintage women who let out a shriek when we saw it at Costco: 'The Nancy Drew Mystery Stories', a complete boxed set, fifty-six familiar yellow spines, shrink-wrapped.
Community begins in mystery and ends in administration. Leaders move away from people and into paper.
Most animals are pragmatic about mysteries: If they run across something they don't understand, all they care about is whether it's edible and whether it's dangerous. Humans, on the other hand, are drawn to the mystery for its own sake.
I think the Earth and everything around it is connected - the sky and the planets and the stars and everything else we see as a mystery.
There is something about poetry beyond prose logic, there is mystery in it, not to be explained but admired.
Redemption basically is about holistic health, if you want to translate it into modern parlance. What I suggest - based on the Christian tradition but not often preached - is that you can't enter into the fullness of the Pascal mystery of the redemption unless there is a radical transformation of motivation within you.
Read everything! Don't just read things that are in your comfort zone or things that you think you're already going to like. Experiment; try new stuff and try new genres. If you read a lot of romance, then start reading mystery. If you read a lot of mystery, start reading fantasy.
You have to think of your brand as a kind of myth. A myth is a compelling story that is archetypal, if you know the teachings of Carl Jung. It has to have emotional content and all the themes of a great story: mystery, magic, adventure, intrigue, conflicts, contradiction, paradox.