There are always different roles and questions to be asked about certain characters.

I loved the idea of understanding people, places, concepts, concerns and large international questions. And being the one to go out and get the answers.

Questions that require answers are what keep readers going - and the place to start raising those questions is with your very first sentence.

We know that we carry the sickle cell trait, and we know we want to have kids, we want to reproduce, and the partner that we find, those are the questions we have to ask.

I never felt I had questions or needed answers or had a part of me that was missing.

I guess I could say that I pursue questions that interest me in ways that interest me on the page, but that's awfully vague.

Speaking personally, I didn't think 40 would be a big issue, and I don't think I have issues about age, but there are naturally some big questions that come up at that point in your life.

I think that's always the goal of art, is to make people ask themselves questions.

Predictability is boring! I want a book to take me someplace I haven't been before, show me sights I haven't seen, make me ponder questions I may not have pondered before.

I deal with cultural issues whether they be in the Middle East, Far East, the Orient or the West. You broach questions in the context of their culture and then present Christian answers.

I've reached out to independents and minorities that have traditionally voted Democrat but that are conservative on a lot of questions. We talk to young people, folks that typically aren't voting on a consistent basis. I'm proud of that.

The National Energy Board process was completely flawed. It didn't allow interveners to do cross-examination, and they said we could do paper questions.

With the Jews, the questions are always open; we're always questioning. I love that questioning tradition.

Investors have to ask themselves two questions. How much can we grow our investments? And, can we afford our mistakes?

I did not want to be labelled 'the designer who survived the atomic bomb,' and therefore I have always avoided questions about Hiroshima.

My ability to not be afraid to ask tough questions or to confront, that matters.

The questions which one asks oneself begin, at least, to illuminate the world, and become one's key to the experience of others.

I think that our task as filmmakers is to create the most insightful reality given the most pressing questions.

And when they brought me in for the first ever episode of 'The Chase,' they still hadn't figured out the format so I was helping them to play test it and then come up with the right standard of questions. So it's my fault they can be really tough!

There are still many challenges and questions that need to be addressed before optogenetics can be applied in humans for therapeutic uses.