While I was at NYU, I did a play at The Public called 'The Forbidden City,' where I went in as an understudy and got my Equity card.
For 'X-Men' I was lifting a lot of weights. I actually lost a lot of mass when I quit 'X-Men' because I was working out so much and very muscular and strong.
Quite rightly, the public expects to see forces serving their communities, not chasing arbitrary targets.
We don't understand the equity market well, and so we deploy funds in fixed-income securities, and like any other securities, investment in those securities also need to follow the mark-to-market accounting principle.
In researching 'The Luminaries,' I did read quite a lot of 20th-century crime. My favourites out of that were James M. Cain, Dassiell Hammett, Raymond Chandler and Graham Greene and Patricia Highsmith.
I actually got the part. And I thought, Well, I'll do it for a while. I'll just quit if it's stupid.
I came to New York when I was eighteen years old, and the first audition that I ever went to was this huge cattle call at the Equity building where I had gone two days earlier to sign up - I didn't have an agent or anything.