Human beings enjoy the myth of romance.

I wasn't captivated by the romance of Paris or London. I love visiting, but I'd rather be in L.A.

Most of the romance in my films has been inspired by my father.

The good romances are as good as anything.

I write romance because I love to read romance.

A lot of '20s musicals were a hodgepodge of melodrama, mixed with operetta and romance, and then some sense of modernism and some sense of irreverence.

I tend to lean toward romance, characters, and relationships when I write, so I have to add to the setting elements and world-building when I revise.

I live with romance in my brain. I'm a true-blue Cancerian like that.

My books fall in the wobbly middle between historical fiction and historical romance.

The good romances are as good as anything.

Romance means making yourself vulnerable.

My songs are my girlfriends. I have a secret romance with all of them. I romance with them year after year.

When I was little, my grandma used to get romance novels, and she would get hundreds of these, and she'd read a dozen a month.

Within the sphere of steampunk, there seems to be a rapidly growing subsphere of gadgetless 'neo-Victorian' novels, most of which attempt to recapture the romance of the era without all the sociopolitical ugliness.

The thing about relationships is, the stronger they get, the more rapidly the realm of romance starts to overlap with the domestic.

I like those stories that capture the brutality of life, but there's still some kind of melancholy romance.

There is a hidden agenda in the fragility of romance.

Not to disparage anything, but most vampire stories tend to be romance novels that are 'Twilight'-ish with metrosexual guys.

We know romance novels are a huge thing. Can we do a romance novel show on our network? I'm not sure.

There's a certain nostalgia and romance in a place you left.