I would not know how I am supposed to feel about many stories if not for the fact that the TV news personalities make sad faces for sad stories and happy faces for happy stories.
I would not know how I am supposed to feel about many stories if not for the fact that the TV news personalities make sad faces for sad stories and happy faces for happy stories.
I've met so many fans of daytime television who've watched the shows with their moms and grandmas and feel like they've known the characters their whole lives. It's sad for them to have to say goodbye to their favorite soaps and characters. We don't want that to happen to the 'Days' fans.
My favorite monster has always been the zombie. They are so much fun. They can be scary, pathetic, sad, funny, tragic, even heroic. They are the most elastic monster because, even with all of that, they don't interfere with telling stories about the humans. They serve as threats and metaphors, but they allow the story to be about people.
I don't need a job. I don't want an appointment. I don't want to be on a commission. I don't want to be ambassador to nowhere.
What is sad for women of my generation is that they weren't supposed to work if they had families. What were they going to do when the children are grown - watch the raindrops coming down the window pane?
Once you start crossing over and displaying feminine ways, you're a target. It's sad, it's humiliating, and it's confusing.
Elaine is just in pain. I think Elaine has become very, very sad woman. She is someone who is in deep need of many hours of analysis and I like to think that I'm not that type of person.
It feels really sad, to me, to go to a dark bedroom. It's like surrendering to the night or something.
If I were surrounded by angels who were purely rational and had no inclinations at all, I couldn't do anything for them. I couldn't make them happy; I couldn't make them sad, I would be entirely useless as a moral agent.
What I think is funny is when people, despite tragic situations, are still hopeful, still trying. It's sweet and sad - and, to me, hilarious.
'Flaubert's Parrot' is an amphibious book in which what appears to be a personal essay about Flaubertian writing is gradually, delicately transformed into an extremely sad novel in which the differences between character, author, and narrator are less clear than they appear at first glance.
It's weird how much social media affects someone's career. Deals and jobs are sometimes based off how many followers you have, which is a little sad. I would rather that not be the case, but I understand that it's important.
I'm very artistic and creative, disorganised - ambitious, I would say, if that even makes sense. I'm definitely not the most mathematical person in the world; not scientific. I can't even work out a tip; it's really sad. But I've always thought, play up your strengths and let someone else handle your weaknesses. It's OK. Work together.