I've backpacked to countries like Italy and Turkey and observed beautiful scenery, but then I realized that beauty was always very close to me. It is here in Belitung Island, where the rivers, beaches and the terrain captivate my attention most.

When I started producing, it was George Abbott directing and he would let me do the scenery. He just wanted to know where the doors were - the entrances, the exits; the tables, the props - and then I would hire the designer. I took charge of the visuals - scenery and costumes and so on. And, the shows looked wonderful.

Drive slow and enjoy the scenery - drive fast and join the scenery.

There's a lot of optimism in changing scenery, in seeing what's down the road.

An acting assistant stage manager in a theater in Canterbury, a rep theater. A small wage but just enough to get by on, and I made props and I walked on, and I changed scenery, and I realized that I just loved it.

What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness.

That's the time that I enjoy: away from the cameras, away from the audience, the scenery of going out to eat and everybody's staring at me.