One of the problems with being a WWE Superstar is that I literally get zero time off unless I'm injured, and usually when I'm injured I'm sat on the couch unable to move because I've just had a surgery.
We do not want to be giving quality sides such as Southampton, Palace, Norwich and the rest eight or nine points start and expect to get back up with them.
We gazed dreamily at the Milky Way and once in a while caught some shooting stars. Times like those gave me the opportunity to wonder and ask all those very basic questions. That sense of awe for the heavens started there.
Jon has always been able to start off at a certain pace but then pick it up throughout the fight and then, at the end of the fight, his opponents are like, 'Damn, this guy is at another level.' I think that's what makes Jon Jones, Jon Jones.
We're not the kind of people to just take a break and say everything's going good, you know, let's rest on our laurels, act like rock stars - we take it very seriously, and we certainly aren't just celebrating and doing a victory lap.
Before computers, you'd start designing using shapes of cubes. Now I can start with something like a handkerchief, an object that doesn't have strong inside and outside boundaries or much closed volume.
For a lot of people, I will always be the mall girl, and that's OK. That was my start. But I can do so much more than that.
I got my start in the 'New York Times' because I used to read Stuart Elliot, the advertising columns. I still do. And I read him so religiously, I wanted to work for him before I died.
I've always enjoyed working with kids whether it be hockey school, things like that, and I just thought it would kind of be neat to start there with a book for kids.