I pay two full-time assistants in my studio, plus consultants who are architects, engineers, and landscape architects, as well as lighting designers.

Every building is a prototype. No two are alike.

If pregnancy were a book they would cut the last two chapters.

I've gone across that border many times. My son was born in the United States; he is also a Mexican-American with the two passports.

When you watch Barcelona play you want to see Lionel Messi score two goals. If he hasn't after 80 minutes you can perhaps get restless.

Networks, especially, micro-manage everything to death.

Except for two years in Stuttgart, I have always worn the FCB jersey.

On this narrow planet, we have only the choice between two unknown worlds. One of them tempts us - ah! what a dream, to live in that! - the other stifles us at the first breath.

There are two types of claims: those based on hard numbers and those based on slippery numbers.

We are searching for some kind of harmony between two intangibles: a form which we have not yet designed and a context which we cannot properly describe.

Belief and knowledge are considered to be two different things. But they are not.

Rod Lurie is one of the most wonderful directors I have had the pleasure to work with. He shoots like Clint Eastwood: no fuss. When he gets it, he knows it - one or two takes.

On my last two days of 'Young and the Restless,' I had 120-something pages of dialogue. My last two days.

I've got a balance sheet. Every year I have to figure out how much I generate and what I spend, and keep those two somewhat in relationship.

I may not have seen my girlfriend for two or three months, but then we can spend two or three months together solidly. It's swings and roundabouts.

Breakaway goals are fun. When you score a quick one in front of the net, it just happens, but during a breakaway, there's about one or two seconds where you're not sure.

I've usually had two styles: the Fletch character and the Clark Griswold character.

A system is in equilibrium when the forces constituting it are arranged in such a way as to compensate each other, like the two weights pulling at the arms of a pair of scales.

I was unwise enough to actually mention this in public a few times, and in fact to point out that there were two versions of the book now. One of them had somebody else's name on the cover, one had my name on the cover.

From the ashes of Bauhaus, Love and Rockets transformed its grandiosity and excesses into boldness and virtuosity. Plus, it wasn't afraid of a catchy hook or two.