I know in my training, especially when I'm building up to a big 'max,' I can take as long as I want to be ready for that lift and mentally prepare for it. In the contest, some of that goes out the window. When your name is called and the bar is loaded, you've got to go whether you're ready or not.
I could put my thumb up to a window and completely hide the Earth. I thought, 'Everything I've ever known is behind my thumb.'
Since I've been hired to contribute to the storyline of 'Doom 4' I can say what was always true anyway. I'm working. You see, for a writer, lots of stuff that doesn't look like working is actually working. Looking out of the window, for example. Balancing a pencil on the edge of the desk in order to find its exact fulcrum. Playing 'Doom.'
I think 'North by Northwest' and 'Rope' and Rear Window' and 'Psycho' are on my list of favorite all time movies. I just think his kind of command as a director was almost unparalleled, and I feel like in certain ways the sort of character-based thriller owes more to Hitchcock than anyone.
Sometimes there are really severe conditions like super, super wind or crazy wind or something like that that you don't really get to practice for. But it's kind of you just show up and whatever you get in warm-ups, you kind of adjust to it and play as you go.
Though the sex to which I belong is considered weak you will nevertheless find me a rock that bends to no wind.
Books were my window on the world. Growing up at the Elephant and Castle, which was very rough, my paradise was the library.
I can only tell you that eggs, country ham, biscuits, a pot of coffee, a morning paper, a table by the window overlooking the veranda and putting green, listening to the idle chitchat of competitors, authors, wits and philosophers, hasn't exactly been a torturous way to begin each day at the Masters all these years.
Wherever the wind blows me, I'll go! My eventual goal is to have enough experience to produce something on my own.
There are jobs to be created on both sides of the climate argument. Whether we are investing in oil or sun, coal or wind, gas or algae, the economy will be stimulated by the investment. The economy, unlike each of us, is not swayed by ideology.
The end of 'City Lights' makes me cry every time I see it - when Charlie Chaplin walks by the shop window and the once-blind girl brings him a flower and pins it to his lapel.
I've been crazy lucky that I've never had a day job. I get really close to having no money, then I always wind up getting some kind of great job.
I like to read Octavia E. Butler's 'Wild Seed' over and over again. And J. California Cooper's 'The Wake of the Wind.' That one makes me cry from joy. I'll mourn - I'll actually mourn - and then I'll cry from joy. She's wonderful.
The jet stream is a very strong force and pushing a balloon into it is like pushing up against a brick wall, but once we got into it, we found that, remarkably, the balloon went whatever speed the wind went.
When I did the video for 'Holding Out For A Hero,' we filmed that on top of the Grand Canyon, and that was quite frightening. I was close to the edge, and there was a helicopter hovering about, creating a lot of wind, and I was nervous I was going to fall off.
My mother sent me to psychiatrists since the age of four because she didn't think little boys should be sad. When my brother was born, I stared out the window for days. Can you imagine that?