I saw my sister in this production of 'Whistle Down the Wind' - my sister was a really big theater kid - and when I saw her do that, I was so obsessed. Those were like my first words; I was singing along to the songs. From that point on, I did theater, and then I got into acting in film and television.

Real spiritual authority has to do with the truth of the actual words being spoken, and the spirit of the person behind the words. Really, authority is about truth: honest-living truth.

Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.

One false word, one extra word, and somebody's thinking about how they have to buy paper towels at the store. Brevity is very important. If you're going to be longwinded, it should be for a purpose. Not just because you like your words.

Man does not live by words alone, despite the fact that sometimes he has to eat them.

As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.

When you hear the words 'magic' and 'story', they will probably evoke thoughts of your favourite fairy tales from childhood. Storybook pages abound with all manner of magic: fantastical fairies, wish-granting genies, or even a certain boy wizard.

Perhaps 'photography' has become so all-pervasive that it no longer makes sense to think about it as a discreet practice or field of inquiry. In other words, perhaps 'photography,' as a meaningful cultural trope, is over.

The charge of being ambiguous and indefinite may be brought against every human composition, and necessarily arises from the imperfection of language. Perhaps no two men will express the same sentiment in the same manner and by the same words; neither do they connect precisely the same ideas with the same words.

It's hard to get in the head of somebody. The closest we can get is through the words they've left behind, either their contemporary correspondence or after-the-fact memoirs.

I have kids, so I can understand the image that footballers have. They are fans of some players; I see in their eyes. They admire and try to imitate their gestures, their words, their celebrations. They love Ronaldo and Messi. Since Euro 2016, though, they have no right to pronounce the name of Ronaldo!

People used to ask me questions on my blog about how to break into the acting industry. You often have to start out in parts where you have very few words, but you still have to try to make an impact.

Traditionally, wake-up calls are meant to wake you up rather than send you to sleep: the clue is in the wording. But those who talk of wake-up calls tend to have an easy-going way with words.

I didn't want to be a man of words but of action.

You're writing about young, vibrant people; there are wins and losses. In other words, it's great drama.

A Texas upbringing - and living now in Brooklyn, too - have surely helped my appreciation for open spaces and skies, but beyond that, it's not easy to find words for what it feels like to be up in the Rockies or out on the Great Basin - such silences and spaces! - or to be heading up into the Sierra Nevada Mountains.

The short words are best, and the old words are the best of all.

If last words are to be audible and coherent, they need to be delivered before you have any tubes up your nose or down your throat. Otherwise, the nurse gets the last word when she says, 'Don't try to talk, honey.'

Originality is not seen in single words or even in sentences. Originality is the sum total of a man's thinking or his writing.

Some people try to cyber bully me; they try to get to me with words, but that doesn't really work.