My approach to writing rhymes went hand in hand with the music. I'd try to make different rhythms with my rhymes on the track by tripping up patterns, using multi-syllable words, different syncopations. I'd try to be like a different instrument.

I shouldn't have acted. I didn't exhibit any ability. I was one of the kids in the school play who was just mouthing words, and they weren't the actual words of the song. I was pretty lame!

I soothe my conscience now with the thought that it is better for hard words to be on paper than that Mummy should carry them in her heart.

It's important to be precise about words, because of the thought value of them-they frame and shape so much of the way we understand things.

What I take from writers I like is their economy - the ability to use language to very effective ends. The ability to have somebody read something and see it, or for somebody to paint an entire landscape of visual imagery with just sheets of words - that's magical.

My interest in words and literature is always changing. And every day of work is different, and it doesn't feel laborious in the way that, say, washing dishes did. I'm quite happy to be doing what I'm doing, and I feel very lucky.

People keep saying you can't satirize Trump because he's beyond satire, but it's not difficult to just let him out and let him walk upon the stage and say his own words.

A novelist can get by on story, but the poet has nothing but the words.

And of course, we know that opportunity lies outside the reach of some of our people. We don't need flowery words about inequality to tell us that, and we don't need a party that has led while poverty and hunger rose to record levels to give us lectures about suffering.

In our house, the word of Louis B. Mayer became the law.

Every historian has informally an anthropology, without ever using the word.

My first interaction with Gene was that after I auditioned I walked out of the room and then this big guy walks out with me, and he puts his hand on my shoulder and he says, 'You make my words sound better than they are.' And I said, 'Well, you must be the writer.' And he said 'I'm Gene Roddenberry.' And I had no idea who that was.

For 30 years I've been schooled in everything from government, and economics, to medicine and international relations. But don't be impressed. Someone once said being a general assignment reporter simply means you are equally ignorant about most everything. In other words, I know a little about a lot.

The way I write, words can means lots of different things.

I've got seven kids. The three words you hear most around my house are 'hello', 'goodbye', and 'I'm pregnant'.

All these primary impulses, not easily described in words, are the springs of man's actions.

I think it all comes from the same source, really, the writing of music, the writing of words, the playing of music. It's what drives anyone to be interested in the arts. I think it's a poetic gene; it's a wanting to go beyond.

The way Singaporeans talk is they use less words.

I think one of the main reasons I write is to do better than ranting. The ranting is the opinion, and the writing is not the opinion. I always say that people's opinions are the worst things about them. The words demand a dignity.

My style of working is I'll often be behind the camera, or right next to the camera yelling words at people, like, 'Say this, say this! Say it this way!' I'll straight-up give Anthony Hopkins a line reading. I don't care.