In 10 years, I'd love to live near the sea, in a warmer climate. I could see myself with three dogs... and it'd be great to share them with someone else.
I research the role, and if it's a literary character, I read the book, and if it's an historical figure, I research documents and biographies. If it's a fictional character, I work off the script.
I don't necessarily pay extreme attention to what I wear on a daily basis, but I do love to wear something special for an important occasion or when I feel happy.
I had a role in 'Crossroads' when I was about 21, and then I went on to perform in 'Small Change' and then 'Piaf' in the Donmar Warehouse, London, and it was when I was there that some casting directors spotted me.
Most of the time, you do films and they can be big films, but you are rarely aware of the fan base that comes with it.
I do like Jason Statham as a person and as an actor. I think he's a great performer, and he delivers every time.
I come from a country that lives and breathes rugby, and I didn't think there would be anywhere else in the world that could be the same. But New Zealand takes it to another dimension. It's extraordinary how much passion Kiwis have for the game.
I used to take my car and go down to the South Island for five or six days and climb glaciers and jump out of planes and jump off bridges and go white water rafting - a bit of thrill-seeking.
I was often looked at as a leper by kids at school because I was a Jehovah's Witness. They didn't like it - you were 'weird'. And on Saturday mornings, you'd be knocking at their doors. I remember standing there with my mum and dad, thinking, 'Oh my God, I know whose door this is, and I'll have to see them on Monday.' It was terrible.
I think the best directors provide you with a safe environment where they can instill you with confidence and allow you to try things out and not feel like you're failing or that you're doing it wrong.