The most important message is to let me just focus on making the most beautiful normcore clothes, but as luxurious as possible.
For me, just as a social recorder of 2016, there's a new girl that emerged that can shop in between Zara and designer and still maintain a sense of her personality and identity.
All the skateboarding brands that I was into had graphic T-shirts. In the '90s, there were different styles that went along with the different influences in skateboarding, whether that be hip-hop or rock and roll and grunge. And that's what I was into, so I was following all that.
Murakami's ability to deconstruct and his aesthetic and conceptual freedom have been totally inspiring for me.
I don't have to choose between high fashion or streetwear. My brand reminds me that it doesn't have to fit in a box. It can just be in a gray area.
People that are able to think in terms of concepts and offer us valuable forms of art are very exciting to me.
My motivation is, in part, a bit of angst that comes from feeling like I don't belong, that our generation doesn't belong.
My graphic design skills are superior to a lot of other things I can do; I use it as a part of my tool kit.
Graphic tees are vibes. And I think they're the basis of a lot of wardrobes, but that makes it challenging to distill what you're brand means within a T-shirt.