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I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

- Julia Holter
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Author:
Julia Holter
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Music
Famous
People
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I'm happy that I worked alone on 'Tragedy,' but it's obvious that I was trying to create something much bigger than I could do on my own.

I'm happy that I worked alone on 'Tragedy,' but it's obvious that I was trying to create something much bigger than I could do on my own.

You don't have to know about 'Hippolytus' to listen to 'Tragedy.'

I started playing piano when I was eight, and I went on to study piano in school, so I have a background in classical piano and studied composition in school. Writing music came later.

I've never felt at home anywhere.

When I was a kid, I had a xylophone, and I thought that was the instrument I wanted to play. I didn't realize it was a toy.

It's hard for me to get shows in the U.S. It's that simple. I don't know what that means. I think it means there's not as much support here for my music?

If you've ever seen paparazzi go after a celebrity, it's really freaky.

'Have You in My Wilderness,' the title track, is about the idea of possessing a person, or saying, 'You're mine; you're in my world now.' I was drawn to that as an idea less from my own experience than from listening to music written by men that was kind of male gaze-y.

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I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.