If people want to know who I am, it is all in the work.
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The directors you trust the most are the ones, when you ask them a question, they've got the guts to say, 'I don't know.'
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I do feel more myself in America. I can regress there, and they have roller-coaster parks.
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Maverick is a word which appeals to me more than misfit. Maverick is active, misfit is passive.
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I'm still living the life where you get home and open the fridge and there's half a pot of yogurt and a half a can of flat Coca-Cola.
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I have every sympathy for writers. It's a mystery to me what they do. I can edit. I can cross out and say, 'I'm not saying that' or, 'How about we move this to here? Wouldn't that make that bit of the story better?' But where any of it comes from is beyond me. I will never write a play or a novel.
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In theater, you've got to be aware of your whole body because it involves stamina. It involves two-and-a-half hours and a sustained release of energy, maybe for six months.
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The audience should feel like voyeurs. Their response is absolutely crucial.
