It's the upbringing at home. You can have education abroad, the best of things, but you can be a horrible human being.
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When I read a script I respond to it like an audience member. At the end of the film, if I'm there in the audience's mind, I have done my job.
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Besides, I never think negative. That is my biggest strength. Even if someone thinks bad about me I wish good for that person. I am not saying I am a super human being but I have always wanted good for people and look where I am today!
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After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.
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I just focus on my character and how pivotal it is to the narrative. I don't mind even a 10-minute role, if it's important to the script.
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In Bombay people know me as a Rituparno Ghosh actor but Calcutta gives me the comfort zone and that's why I love shooting here. In Bombay, the money is bigger, the stakes are bigger.
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In Bombay people know me as a Rituparno Ghosh actor but Calcutta gives me the comfort zone and that's why I love shooting here. In Bombay, the money is bigger, the stakes are bigger.
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I am looking at characters that will stay with people, that they will remember. Characters that are relevant.
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I am 100-films old. In my heyday, I have done a lot of commercial films, including dancing around the trees with the heroine. But after working with Rituparno Ghosh, my understanding of cinema changed. Whatever good I am doing, it is because of him. If I am being called a good actor, it is only because of him.
