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After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

- Jisshu Sengupta
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Author:
Jisshu Sengupta
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Character
Looking
Clothes
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It's the upbringing at home. You can have education abroad, the best of things, but you can be a horrible human being.

When I read a script I respond to it like an audience member. At the end of the film, if I'm there in the audience's mind, I have done my job.

Besides, I never think negative. That is my biggest strength. Even if someone thinks bad about me I wish good for that person. I am not saying I am a super human being but I have always wanted good for people and look where I am today!

I live every character between 'action' and 'cut' and do not take them home or live with them for 70 days while shooting. That is my process.

I just focus on my character and how pivotal it is to the narrative. I don't mind even a 10-minute role, if it's important to the script.

In Bombay people know me as a Rituparno Ghosh actor but Calcutta gives me the comfort zone and that's why I love shooting here. In Bombay, the money is bigger, the stakes are bigger.

In Bombay people know me as a Rituparno Ghosh actor but Calcutta gives me the comfort zone and that's why I love shooting here. In Bombay, the money is bigger, the stakes are bigger.

I am looking at characters that will stay with people, that they will remember. Characters that are relevant.

I am 100-films old. In my heyday, I have done a lot of commercial films, including dancing around the trees with the heroine. But after working with Rituparno Ghosh, my understanding of cinema changed. Whatever good I am doing, it is because of him. If I am being called a good actor, it is only because of him.

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After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.

After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.