We did have a script, but it didn't consist of the routines and gags. It outlined the basic story idea and just a plan for us to follow. But when it came to each scene, we and the gagmen would work out ideas.
Copied to Clipboard
Copied to Clipboard
A friend once asked me what comedy was. That floored me. What is comedy? I don't know. Does anybody? Can you define it? All I know is that I learned how to get laughs, and that's all I know about it. You have to learn what people will laugh at, then proceed accordingly.
Copied to Clipboard
Copied to Clipboard
We never dealt with satire or suggestive material. Although some of our films were broad parodies or burlesques of popular dramatic themes, there was no conscious attempt at being either sarcastic or offensive.
Copied to Clipboard
Copied to Clipboard
It's the one with that panel of ultra-chichi folks. The one called 'What's My Line?' It sends me straight up the wall. I call it 'The Snob Family.'
Copied to Clipboard
Copied to Clipboard
My only opinion on the L&H 'home movie' situation - I regret we have no financial interest in them.
Copied to Clipboard
Copied to Clipboard
Humor is the truth; wit is an exaggeration of the truth.
Copied to Clipboard
Copied to Clipboard
Personally, I think the silent films were more effective for L&H, but the sound was of great value in enhancing the effects - dialog eliminated a lot of action & sight gags - I always feel that 'action' speaks louder than words.
Copied to Clipboard
Copied to Clipboard
Sight gags had to be planned; they required timing and mechanics. Occasionally, spontaneity would arise in the shooting of the scenes.
Copied to Clipboard
Copied to Clipboard
It's the one with that panel of ultra-chichi folks. The one called 'What's My Line?' It sends me straight up the wall. I call it 'The Snob Family.'
