We did have a script, but it didn't consist of the routines and gags. It outlined the basic story idea and just a plan for us to follow. But when it came to each scene, we and the gagmen would work out ideas.
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A friend once asked me what comedy was. That floored me. What is comedy? I don't know. Does anybody? Can you define it? All I know is that I learned how to get laughs, and that's all I know about it. You have to learn what people will laugh at, then proceed accordingly.
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We never dealt with satire or suggestive material. Although some of our films were broad parodies or burlesques of popular dramatic themes, there was no conscious attempt at being either sarcastic or offensive.
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What business do we have telling people who to vote for? They probably know more about it than we do.
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It's the one with that panel of ultra-chichi folks. The one called 'What's My Line?' It sends me straight up the wall. I call it 'The Snob Family.'
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My only opinion on the L&H 'home movie' situation - I regret we have no financial interest in them.
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Personally, I think the silent films were more effective for L&H, but the sound was of great value in enhancing the effects - dialog eliminated a lot of action & sight gags - I always feel that 'action' speaks louder than words.
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Sight gags had to be planned; they required timing and mechanics. Occasionally, spontaneity would arise in the shooting of the scenes.
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It's the one with that panel of ultra-chichi folks. The one called 'What's My Line?' It sends me straight up the wall. I call it 'The Snob Family.'
