I would love to be one of those fellows who combine formal and folk music approaches.
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I was raised fundamentalist Christian, and now I'm not that. It was not an act of rebellion or anything. For me, it was about being in a line of work where I was meeting so many different people and feeling like they all had legitimate points of view that I needed to consider and occasionally these were at odds with ideas that I was raised with.
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Music should never be a dictatorship. It should be a symbiotic relationship between the musician and the audience.
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You need to put yourself in the way of the music that stood the test of time. You're doing yourself an incredible disservice not be interested in the width and breadth of it.
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When they invented the mandolin, it was as if they were trying to come up with the least efficient means of extracting noise from a piece of wood.
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Generally speaking, I think one has to take reviews with a grain of salt, unless you know who the person is and what their qualifications are.
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Hats off to musicians who just want a pure escape. I have a lot of fondness for pure escapism. I don't feel like it's irresponsible, I think sometimes you really need to take a breather.
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I don't feel that things need make their appeal exclusively to one demographic. I don't feel that there is truly great art that only appeals to people in a certain age range.
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The more you look at great art of any kind, you'll see that there's this thread running through all of it.