I was in New York one day, and this guy ran off a bus, grabbed me, and told me that 'Maurice' had changed his life. I've also had it many, many times in England.
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I wanted to make a movie once at Lake of the Woods, where my parents had a cabin, which I now have. We actually planned, we wrote a whole screenplay about a kind of Indian spiritual group that was at Lake of the Woods. We weren't calling it that but it was Lake of the Woods. We wrote a whole screenplay about it but we couldn't get funding for it.
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If I hear that a film of mine is going to be shown on a big screen somewhere and I haven't seen it in a while, I make a point to get to see it. I just want to see it up on the big screen.
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I like a lot of good dialogue if it is well-acted.
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In 'A Room With a View' there's a lovely scene with Julian Sands and Helena Bonham-Carter in a wheat field. It was simply the right time of day: late afternoon, that golden light, wheat and poppies... So romantic. But I had no idea it would turn out that well, since we so rarely shoot in a studio.
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I learned to paint in a historical method. First through watercolours and then through oil. Then, when I went to college and to the school of architecture, I took up modern painting.
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This may sound corny, but I've always liked to make things that were beautiful.
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Love is the absolute basis of my career.
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It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.