I love talent because they are passionate. They can be emotional and irrational and unpredictable... and that's okay, because all we want is something exciting on the page and on the screen.
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NBC, for me, is like the crazy ex-wife that I can't get away from.
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One of the things I truly enjoy about my job is the dynamic nature of having a foot in each world - the world of the talent, who create our product - and the world of our business in which we market, distribute, and monetize that product.
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'Fringe' has been a point of pride. I share the passion for the show that the fans have.
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How people watch and the different ways they connect to TV - you're going to see some expansion and radical transformation.
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What the hell is pilot season? It's an artificial boundary that makes no sense, and it makes you do things under duress.
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Creative content is challenging, no matter what, and animation is particularly challenging.
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I do believe that the audience is capable of embracing quality. But a lot of times, they'll be like, 'Why isn't there ever anything good on TV? Put something good on.' 'Uh, if you watched this, it would help.'
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You always want to trust talent; that's the best thing.
