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Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

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The Sistine Chapel is an extraordinary work of education - it lays out all the early books of the Bible.

English culture is highly literary-based.

It's a big criticism of Greenaway films that they are far too interested in formalism and not enough interested in notions of emotional content. It's a criticism I can fully understand from a public that has been brought up by Hollywood movies that demand intense emotional rapport.

If you think about it, most cinema is built along 19th-century models. You would hardly think that the cinema had discovered James Joyce sometimes.

I think there is no future whatsoever in 3D. It does nothing to the grammar and syntax or vocabulary of cinema. And you get fed up with it in exactly 3 minutes.

Cinema ceases to be passive and becomes active: you, the audience, are now, in some senses, in charge of the filmmaking process. You have all got mobile phones, you have all got cam recorders, and you've all got laptops, so you're all filmmakers.

We have more than enough deodorised, over-the-top, sentimental cinema. Let's try to bring a little human intelligence into things. It can be very rewarding.

Cinema basically examines a personality first and the body afterward.

I think that films or indeed any art work should be made in a way that they are infinitely viewable; so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.

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Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.