Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
I really liked the idea of a talking horse in a human world.
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I think '300 Arguments' is a real tiny wallop of a book. It looks very slim, and at first, each little two-sentence or one-sentence thing kind of stands on its own, but again, as you read it, you get sucked into the momentum of it, and the whole of it is much larger than the sum of its parts in a really beautiful way.
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One of the things that set us apart early on, as opposed to other animated shows, was the fact that 'Bojack' was continuous and serialized.
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When I write, I try to turn my Internet off so I can't procrastinate through the Internet, but then I just get deeply involved in whatever I have just on my computer.
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I have a short attention span.
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I was very moved by shows that combined things that were funny and sad. I remember liking 'Simpsons' episodes in which emotions were central.
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I always think that's really lazy, when I'm watching a TV show or a movie or something, and there's a flashback and the idea is, 'This one moment is the reason that everything happened. This character saw this guy, and this guy said this thing to him, and that's why he is this way.' Because I think in real life, it's not so one-to-one.
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There was a warm and encouraging environment at home. My self-loathing and neuroticism are not because of my upbringing.
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I think I am someone who is very interested in structure and different ways of delivering jokes.
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'