Before I joined the BBC I was, like most of the intelligentsia, prejudiced not only against that institution but against broadcasting in general.

Broadway doesn't pay that much.

When I'm abroad, I burn all my money on Broadway.

I'm obsessed with broadcasting.

I need to broaden my horizons.

I'm portrayed as this tough broad, but I'm not.

I didn't aspire to be on Broadway.

Broadway! Broad-way! I don't aspire to the middle. I aspire to the tip-tip-top of it all.

Broadway is really, really hard.

Broadway is a closed ecosystem.

Basic mobile phones can circumvent lack of broadband access, but only to a certain extent.

I do read many of the photography magazines from the U.K. and abroad.

Performing abroad is ambassadorial.

I'm a believer in broadcast.

I really want to do Broadway.

I didn't start traveling abroad until I was 17, but I spent many summers on the beaches of Donegal in Ireland.

I come from very common stock, and I've always been uncomfortable with pretension and all the forms it can take, including disingenuous broadcasting.

This is the voice of Vietnam Broadcasting from Hanoi, capitol of the Democratic republic of Vietnam.

I really want to do Broadway.

I was the only BBC graduate trainee in 1961 interested in arts broadcasting. I knew I wanted to write, and I had to make a living.