I think Roald Dahl had the rarest combination of talking to kids about complex emotions, and he was able to show you that the world of kids was sophisticated, complex, and had a lot more darkness than adults ever want to remember.
You go through different emotions when you're in captivity. On the one hand you say, my career is over. On the other hand, you say, my career's just started. See with these weird extreme ideas of where you are based on this capture.
Content films necessary don't go by the content, they go by the emotions. Content films are about content whether you want to portray the content or sell it through humour, through seriousness, is a choice of the filmmaker.
In film, you're always using your tools, your body, your voice, your emotions, but onstage, you use them in a different way.
How do I control my emotions? How do I stop getting angry so often, or how do I stop being sad? And I think there's a really important distinction to understand is that you can't completely control your emotions. What you control is your reaction to your own emotions. And a lot of people don't ever make that separation for what goes on with them.
My father was a world-class scientist and my mother was a prolific painter. I could see that my parents had completely different ways of knowing and understanding the world, and relating to it. My father approached things through scientific inquiry and exploration, while my mother experienced things through her emotions and senses.
It was a weird mix of emotions. One day, your best friend could be killed. The day before, you could be celebrating him getting a brand-new bike.
Vijji was not an accomplished yogi. She did what she did with just the sheer intensity of her emotions.
Doo-wop is special music to me because it's so straightforward and melody-driven and captures emotions.