I've written songs before, and I don't want to share them with anybody. It's really personal for me, that sort of creative outlet where you put your emotions to paper or put to song. I don't do it that much anymore, but to let someone in on that outlet and to have it susceptible to judgment is scary.
I really ought to try and make a film that's a bit more cynical. But I don't think I'd know how to do it. I think what it is, is that if you're a film director, you're basically there because you enjoy manipulating people's emotions.
Put simply, behavioural economics argues that human beings' decision-taking is guided by the evolutionary baggage which we bring with us to the present day. Evolution has made us rational to a point, but not perfectly so. It has given us emotions, for example, which programme us to override our rational brain and act more instinctively.
I think people need to understand the amount of emotions I can pull off. I want films I'm offered to have these dimensions.
I sat down and wrote, 'Are your emotions pure? Are they the stuff of heroes or the alloyed mess of the beaten? How do you stand in relation to the potato?' And it was a lot of fun, and I kept going and woke up at some point in some horror that I had about 142 pages of this.
Emotions come first, and in the most direct sense: you first have an emotion and then have a feeling. But also first in the history of the human race, for the ability to have emotions long preceded the ability to have feelings.
The business of the poet is not to find new emotions, but to use the ordinary ones and, in working them up into poetry, to express feelings which are not in actual emotions at all.
Horror movies can be - I don't wanna say not real, but so over-the-top: you can get scared 'cos things are loud and in-your-face, but these are real emotions that I'm using.
You go through different emotions when you're in captivity. On the one hand you say, my career is over. On the other hand, you say, my career's just started. See with these weird extreme ideas of where you are based on this capture.
You must remember that a woman, by nature, needs much less to feed upon than a man, a few emotions and she is satisfied.
People always say when they meet me that I'm not what they expect. I assume they think I'm this super dark and depressing guy, but I like to channel all of those emotions into my work.
I've always been interested in this notion of what is authentic and how we define that and why our culture imposes certain emotions and emotional constraints onto experiences.