Being a superhero was my biggest childhood dream, but for a long time, I was thinking that a perfect role for me in the Marvel Universe is Sergei Kravinoff, a.k.a. Kraven the Hunter.
I throw better than anybody in college and I can throw with anybody in the pros. There, that's what I think.
Money isn't important, but you have to have enough, so you don't have to think about it. Thinking about money is a drag.
Music, first of all, is completely about abstraction, which is exactly what architecture is not. In a way, it has been incredibly constructive to know what true abstraction is. So you don't fall into the trap of thinking that what you do is abstract.
In the Pythagorean system, thinking about numbers, or doing mathematics, was an inherently masculine task. Mathematics was associated with the gods, and with transcendence from the material world; women, by their nature, were supposedly rooted in this latter, baser realm.
I keep thinking I'm going to miss it back in Los Angeles. But I don't. The only thing I miss is driving out in the desert in the Southwest.
I played Othello, but I didn't sit around thinking how Laurence Olivier did it when he played it. That wouldn't do me any good.
It was a lot of fun on the set. I had the most fun making that movie out of all of them. I'm sure if I sat and thought about it, but none that I could think of offhand.
We were going for simplicity with the Minions and, frankly, I think that's a huge appeal of the characters. They're essentially pills with goggles. A child can draw them quite easily.
I guess I happen to have one of those faces that just says everything I'm thinking. I guess it's a gift, but I see it as a potential liability. It keeps me honest.