One thing I tend to do is ask actors tons and tons of questions to try to get at what they're thinking but also to expose to them whatever box they've placed their characters in - to blow up that box so the journey can begin.
When we think about Windows, we want to think of it as a broad platform, from wearables to industrial IoT platforms to PCs and tablets.
The mistake a lot of politicians make is in forgetting they've been appointed and thinking they've been anointed.
Avoiding climate breakdown will require cathedral thinking. We must lay the foundation while we may not know exactly how to build the ceiling.
If wrinkles must be written on our brows, let them not be written upon the heart. The spirit should never grow old.
I don't think the Barbara Vines are mysteries in any sense. The Barbara Vine is much more slowly paced. It is a much more in-depth, searching sort of book; it doesn't necessarily have a murder in it.
I think it's counterproductive for actors to come to the set with well-thumbed copies of the book their film is adapted from.
I'm always thinking about the bigger picture and always feeling so much for everybody else, and kind of experiencing the pain of the world, personally.
My mind thinks in wrestling. As I'm thinking of things and my mind is being creative, it constantly keeps going back to wrestling. That's my inspiration, and to not be able to express that puts me in a spot where I almost don't know what to do with myself.
I'm thinking, this is Robert Redford. You know, he's won an Academy Award, he's talking to me about directing a movie he's in. So you just think that it's Hollywood stuff or whatever.
I'd love to play a femme fatale in a film noir. I'm thinking of one of those roles that Lauren Bacall or Bette Davis might have played. What I wouldn't like is to suddenly find myself being cast, as many senior actresses seem to be, as the abbess in a convent.