I'd just gotten into Los Angeles from Texas, where I live, and the phone rang and it was the guy calling about the Willie Nelson video. I was totally excited about it.

I don't live to eat but eat to live.

Sarasota-Bradenton is a unique community to live in.

Be able to recognize the dangerous snakes, spiders, insects, and plants that live in your area of the country.

There was a pizza delivery robot from 2008, where I built a Prius to deliver pizza from downtown SF to Treasure Island.

I would like to think that television would be representative of the world we live in.

Anytime that another artist or a critic that is well-respected says something nice about you, you're always thankful and hope that you can live up to that.

I get a more passionate delivery when I just go in the booth and let the music talk.

The species will continue, whatever apocalypse we manage to unleash. It just won't be much fun to live through.

I don't know if I've ever met anyone that's purely good or purely evil myself. I think most of us live with some varying degrees between the two.

I choose to fill my days with what I'm passionate about, and live with purpose.

I have to think about the future because, not that I'm bored with it now, but I can't live now, it's not my place to live now. I've got to live ahead of myself.

I think we were probably playing live for about 12 months before we got a recording deal.

We live in a cult of the upgrade right now. There's always something around the corner that will make whatever you think is cool right now feel obsolete.

I live in a puddle of guilt, an ocean of guilt that you want your own time.

I love the Broadway audiences, who relish live drama and don't hesitate to display their enthusiasm.

I don't know why the guys with the big money don't find five terrific young producers and give each of them enough to commission a musical and to live on for a year. You'd be likely to get at least one project with a future.

Be where the acting is. I live in Houston. Dallas is 4 1/2 hours away. I let them know there's no difference.

The complexity of the emotional life of the play is what you live to work on.

My dancers expect me to deliver because my choreography represents their livelihood.