We live in an age of global expectations. Our hopes have converged in many ways, none more so than in our democratic aspirations.

As long as you live, keep learning how to live.

There's no conversation more boring than talking about what it's really like to live in Newport and how the show compares to the real thing. I just don't care.

I can throw out any man alive.

I still think that I'm playing instruments, not just pushing buttons and there it goes. It's interactive and alive with the sound and the manipulation and it plays like instruments.

Even as we get older, we get in these routines - and routines are nice and comfortable - but I think that it's important to live life to its fullest and try different things. Because you never know what you're going to learn. You might not like it, you might like it.

I cannot live with someone who can't live without me.

Apartheid education, rarely mentioned in the press or openly confronted even among once-progressive educators, is alive and well and rapidly increasing now in the United States.

I live in a Swiss village so small, if you sneeze everyone knows.

What makes San Francisco work is that high-value people like to live there and cluster.

Live comedy is fantastic. It's when live comedy is transcribed and reported and critiqued outside of the venue without context that things become complicated.

We want an economy that grows health and wellbeing, not debt and carbon emissions. An economy that prepares and protects us from shocks to come, rather than making them worse. An economy that shares resources to meet all our needs, regardless of background. An economy that lets us live.

I always say I want to leave this world in a better state than when I arrived, and I continue to live by that message. So I'm going to do what I can to make the world a better place but also just make sure that I'm happy as well.

We need to live day by day and to improve.

The spirit of the Ultimate Warrior will live forever.

I'm alive. That's a good thing.

You know, somebody mentioned that I was sort of a jazz-pop singer. And I'm thrilled that somebody would find that, at last, in my presentation, because it's such a part of where I live.

You do live longer with bran, but you spend the last fifteen years on the toilet.

With The Allman Brothers, we made two studio records that were OK, but the first really great album was the live one, 'At Fillmore East.' We were a live band, and it's one of the reasons we were able to stick around for 45 years.

I also want to return to doing stand-up. I've become frightened of live audiences. This is a really telling sign that I need to go back on the comedy circuit again.