What an unappealing responsibility that is to lumber any prospective lover with: the need to be a saviour, not simply an equal partner.
Whatever it is that you are doing as an actor, if it frightens you, if you're scared of it, you need to do it.
Young writers need to be encouraged to write - just write - with no restrictions on form, style or content.
C is a passing grade. You don't need straight A's to be a scientist, despite what you may have heard.
If a player wants to be the best, then they also need to give themselves a talking-to. You need to look inwards.
I don't need a job. I don't want an appointment. I don't want to be on a commission. I don't want to be ambassador to nowhere.
I would like to have as much going on as other people do, but my problem is I get so attached to things, and there's my kids, and I need my sleep, and then there's being married - gotta check in on that, too.
I do think that's so much a part of what being a director is - in working with actors - to really try and be sensitive to what each actor needs to get to where he wants to be.
The more important the subject and the closer it cuts to the bone of our hopes and needs, the more we are likely to err in establishing a framework for analysis.