I've been in an Agatha Christie called 'The Sittaford Mystery,' which I enjoyed, but 'The Pale Horse' has a real sense of intrigue and the jigsaw pieces fitting together.
Flannery O'Connor is my creative hero. I think she's the greatest American writer. Her book, 'Mystery and Manners,' is my creative bible.
The only musicals I've really worked on in New York are new musicals, and I like the idea that my job as an actor is also that of a detective, archaeologist, and mystery solver.
When you try to unravel something you've written, you belittle it in a way. It was created as a mystery.
Community begins in mystery and ends in administration. Leaders move away from people and into paper.
I'm not creating an enigma or leaving mystery, I'm just respecting myself enough as an artist to give myself room to grow and not to be devoured all in one go.
I love mystery novels... I love seeing the dramas played out in academic departments, particularly English departments. I started reading these when I was going up for tenure.
There were a lot of adventure books for boys, historical novels by Kenneth Roberts, and whatever mystery novels the alarmed librarian imagined might not corrupt an eager but innocent youth.
I always feel the desire to look for the extraordinary in ordinary things; to suggest, not to impose, to leave always a slight touch of mystery in my paintings.
It's a strange business, and unfortunately, what we do in animation is a mystery, especially the directors.
Don't just be a mystery to your kids. You need your kids to know you and know they can call you whenever they need you.