I love being part of the movie-making process. There is magic. There is an element of mystery and unpredictability.
We've always been fans of a good mystery; we think all kids are, and there weren't any good mysteries out there these days for kids, so that's why we decided to do them.
Although we might think of Holmes as the Ur-sleuth, the seminal inspiration for many writers comes not from the chronicles of Baker Street but from the intricately plotted novels of Charles Dickens and his colleague Wilkie Collins, who in works like 'Bleak House' and 'The Moonstone' established the modern, character-driven mystery novel.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
A romance novel is more than just a story in which two people fall in love. It's a very specific form of genre fiction. Not every story with a horse and a ranch in it is a Western; not every story with a murder in it is a mystery; and not every book that includes a love story can be classified as a romance novel.
I think a director can make a play happen before your eyes so that you are part of it and it is part of you. If you can get it right, there's no mystery. It's not about mystery. It's not even mysterious. It's about our lives.
I would hate to be that person who is, you know, the mystery writer who has to deliver a book every year to publisher X.
I'm always looking for the potential mystery in everything; I can't imagine writing about anything else.
To me, science fiction is about the sense of mystery, the sense of awe. Not 'shock and awe', just 'awe.'